Tuesday 22 October 2013

Taking new technologies to court (Telegraph)

From self-driving cars to man-made consciousness, science is about to unleash a host of legal dilemmas

If a pedestrian is killed by a robot car, who is liable? The “driver” (who may have been, quite legally, asleep or working on a laptop)? The owner? The manufacturer? The operator of the GPS network?
If a pedestrian is killed by a robot car, who is liable? The 'driver' (who may have been, quite legally, asleep or working on a laptop)? The owner? The manufacturer? The operator of the GPS network? Photo: Alamy
It is often said that hard cases make bad laws. After a series of well-publicised canine maulings, the Dangerous Dogs Act was passed in 1991, and proved to be a disaster. There are now calls for new laws to deal with the alleged menace posed by the internet – but most cybercrime is merely harassment, abuse, fraud and theft, perpetrated with novel machinery.
But sometimes new technologies really do open up a whole new legal playing field. For example, up to the late 19th century, the rules of the road were written with horses and pedestrians in mind. These struggled to cope with the advent of self-propelled motor vehicles; hence Britain’s Locomotive Act of 1865, which limited such vehicles to 4mph in the country and 2mph in towns, and insisted one of their crew walk 60 yards ahead carrying a red flag. Similarly, the invention of the aeroplane forced America to scrap a law which deemed that the airspace over anyone’s land was their property.
Now a series of what have been dubbed “disruptive technologies” are threatening to rewrite the legal rulebook again. What distinguishes these innovations is first that they are adopted rapidly, and second that, rather than improve upon existing technologies, they completely replace them (as the car did to the horse).
As we stare into a future of automation and genetic augmentation, of new robotic and reproductive technologies, some experts believe that the 21st century is going to be a boom time for lawyers as judges struggle to keep up.
Perhaps the first disruptive technology to give our learned friends something to think about will be the self-driving car. The capability to mass-produce completely autonomous automobiles, guided by the GPS network and on-board sensors, has been in place for several years, thanks in part to work by Google, whose self-driving Priuses and Ford Focuses have been trundling around California for some time. Legal worries, not practical issues, have delayed implementation of a technology that many experts believe could save tens of thousands of lives a year (more than a million people are killed annually on the roads, and nearly all fatal accidents are down to human error).
The problem is, if a pedestrian is killed by a robot car, who is liable? The “driver” (who may have been, quite legally, asleep or working on a laptop)? The owner? The manufacturer? The American government, which owns and operates the GPS network?
According to Burkhard Schafer, a legal academic at Edinburgh University, some of those old horse laws could still work, even in the age of the driverless car. After all, horses are autonomous, potentially dangerous means of transport. And the law supposes a degree of common sense by all parties: “You don’t approach a horse from behind,” Schafer told New Scientist recently. Similarly, he says, you wouldn’t run out in front of a speeding robot car – it would be unreasonable to expect its systems to be able to defeat the laws of physics. If a horse owner can be shown to have maltreated his animal, or trained it poorly, he can be held liable for injury – just as a robot car owner could be liable if he had interfered with its electronics or failed to have it serviced properly.
But sometimes machines do things that no horse can do. It is possible to be libelled or slandered by a machine – with no malice by any human agency. People have successfully sued Google, for example, because its search algorithms have linked them to criminal namesakes.
A fascinating (but wholly speculative) topic was recently discussed by a group of futurologist-lawyers, who have since 2006 been meeting at annual “Gikii” conferences to discuss law in a future world. What would happen if someone invented a teleportation device capable of moving humans instantly from one place to another?
The question is not (entirely) moot; since the late Nineties, scientists have used a technique called quantum teleportation to “beam” the exact states of various sub-atomic particles from A to B. In 2004 Austrian scientists managed to teleport a whole atom and many believe that within decades, it will be possible to transport DNA molecules and even viruses in this way.
Scaling this up to a human being is a formidable challenge (some calculations say that the computer needed to handle the number-crunching would need to be bigger than the known universe). But put that aside for now; and consider the legal issue of what happens if you teleport a person, and that the process malfunctions?
Most imagined teleportation devices rely on the destruction of the original object, in location A, and the transmission of its properties (the type, location and quantum states of every atom in that object) to location B, followed by reassembly. The most obvious malfunction – total failure of the device – poses no legal problems. The victim has simply been killed by a faulty machine and his relatives will sue accordingly.
But say something goes wrong, and the original “you” is not destroyed, yet a new “you” is created on the other side of the world. Assuming that thoughts, memories and personality are teleported along with the physical body, who is the real you? Does the teleportation company have the legal right (even duty) to say to the person at location A (who expected to wake up in location B) “step this way sir, this won’t hurt a bit”, and then quietly eliminate them?
Perhaps the most fascinating legal challenge will be posed by the discovery – or advent – of intelligent, conscious entities that are not human. In Lausanne in Switzerland, Prof Henry Markram’s Blue Brain project is attempting to replicate animal, and then human, consciousness in a huge supercomputer by “reverse-engineering”, via software, the physical structure of the mammalian brain.
When I met him a couple of years ago, he told me he was confident that some sort of consciousness could be achieved by 2020, perhaps even a simulacrum of human consciousness. And then we would have a problem. In 1789, Jeremy Bentham wrote of animals: “The question is not can they reason? Nor, can they talk? But can they suffer?” If we can build a conscious machine, then we can make it suffer.
Or consider the discovery of alien life. Even the existence of Martian microbes would create a legal minefield. Who would be held responsible for, say, inadvertently wiping out the Martian biosphere by sending an unsterilised space probe to the Red Planet, replete with earthly bugs? And say we discover intelligent aliens (or they us), via radio signals or robot probes? What rights would a future alien have should it brought here?
Back on Earth, some apes are as intelligent as three-year-old children – and in Japan, scientists have shown that chimps can easily beat any adult human in a series of short-term-memory tasks. An African Grey parrot called Alex, which went to meet its maker in 2007, acquired a working vocabulary of 100 English words. No one is disputing that the average human is brighter than the average ape or bird, but it is clear that in some ways, some apes and some birds are brighter than some people – people who nevertheless have legal rights afforded to no animal.
The most uncomfortable legal challenge would be the recreation of an extinct hominid species. We are a decades away from cloning an “ape man”, but DNA from ancient Neanderthal bones has been sequenced, and it is not impossible that one day someone will have a go. The Neanderthals buried their dead, made tools and fire, and may have had language. But they were not us. Technically, any revived Neanderthal would be classed as an animal. Until he got himself a very good lawyer, that is.

Saving digital art from an early death at the ZKM museum


Jen Copestake tours the Laboratory for Antiquated Video Systems at the ZKM in Germany
When a renaissance masterpiece needs restoring, simple paints and brushes can do the job. It's all down to human skill.
But what do you do when a piece of digital art worth over a million pounds and reliant on obsolete technology and old codes breaks down?
The ZKM Centre for Art and Media in Karlsruhe Germany is trying to provide an answer.
It has the world's largest collection of digital art, with over 500 pieces in its collection. It's also the global centre for digital art conservation.
It is a Herculean effort to keep their artworks running in their original form on computers often decades old.
Dump deals
ZKM's staff try to find as much obsolete digital kit as possible. They trawl waste dumps and the auction site eBay in their quest for authenticity.
As part of these efforts, they rent a warehouse outside the city where they store over 1,600 cathode ray TV sets, which are now out of production.
ZKM GermanyVersailles Fountain by Nam June Paik uses around 40 vintage CRT televisions which need to be carefully maintained
These old-school TVs make up key elements of some of the art works.
For example, Versailles Fountain by digital pioneer Nam June Paik uses about 40 CRT TVs. They are constantly being repaired. In an unlikely alliance, curators at ZKM foster connections with local dump managers who set aside old computers and audio visual machines in exchange for cigarettes.
But keeping all of this obsolete equipment in storage is just a short-term solution.

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Linux was selected as the target platform for the porting... it will have a long lifespan.”
Dr Berhnard SerexheDigital Conservation
Bernhard Serexhe is the principal curator at ZKM's media museum and leader of a European Union funded project on digital art conservation. He says the faster technology develops, the shorter the potential lifespan of the art.
"That is why we need a second strategy which is migrating the work, migrating the data of the work to a different platform, or even porting the programme to a different system, to a different computer system which is quite complicated and quite expensive," he says.
"Born Digital"
This is precisely what happened with The Legibile City. Created in 1989 by Jeffrey Shaw, it is considered by Mr Serexhe to be one of the most important pieces of digital art in the world.
When you get on the stationary bike, you can cycle through giant 3D letters in three different cities. The faster you pedal, the faster words describing the city appear on screen.
ZKM Germany, digital artThe Legibile City by Jeffrey Shaw is considered by the ZKM as one of the world's most important pieces of digital art
The problem is it was designed on a Silicon Graphics computer which went out of production 16 years ago. The museum only has 10 left in storage.
The danger is when they are gone the artwork will no longer be displayed. The solution for The Legibile City has been to port it over to a Linux-based operating system. This process took several years and was done in conjunction with the artist's wishes.
"Linux was selected as the target platform for the porting. Linux is a free Unix variant that runs on the most diverse hardware platforms -including on Apple computers - which is constantly being adapted to new hardware, and, current expectations are that due to its origins [Unix], it will have a long lifespan," Mr Serexhe explains.
Digital artworks in ZKM are not switched off overnight to preserve the systems and try to prolong the life of the hardware.
Not everything in the museum is "born digital", a phrase used by Mr Serexhe to describe art that is completely of the digital age. Digitising video art from magnetic tapes is another important part of the museum's work.
Ancient formats
Dorcas Muller works in the Laboratory for Antiquated Video Systems.
Her office is packed from floor to ceiling with ancient tapes and video equipment. She has over 300 machines at her disposal to convert about 50 different formats into digital form.
ZKM Germany, digital artDorcas Muller has a collection of laser discs and machines which can play looped artwork
"The most important machines which are completely restored we keep in the laboratory for daily use and we have storage outside the city where we have machines up to the ceiling for future years," she says.
The market for pure digital art is very different from the one for more conventional art. Materials and machines become obsolete while canvas and stone live on.
"There is a certain market but normally these works go from the artists to the collector… there are only very few collectors. In Germany at the moment there is only one private collector of digital art," says Mr Serexhe in Germany.
But there is no consensus on whether repairing digital art is the right thing to do. Some of the artists may have intended their works be shown as a performance, and to cease existing when the technology running it breaks down. The museum's efforts are controversial.
"Either we change our ethical aspect ideas about art, and we would consider digital art as only 'performative', or we stick to the originality and authenticity of the work.
"I think as an important collection we still should preserve the work in its original form and format as long as this is possible," Mr Serexhe says.

Monday 21 October 2013

Technology used to tackle UK's increasing landslides

Technology used to tackle UK's increasing landslides

21 October 2013 Last updated at 00:03 BST
Britain's changing weather patterns have resulted in an increase in the number of landslides in recent years as the result of heavy summer and winter rainfall.
Geologists from the British Geological Survey have been measuring landslides across the UK for almost 30 years and have created a database of every landslide reported.
Inside Out's Marie Ashby meets the team based in Nottinghamshire which is using technology to predict future landslides to help reduce the risk of disasters.
Recent events including a road slippage in Rothbury, Northumberland and a railway landslip at Stainforth, South Yorkshire illustrate the impact of landslips on communities.
The collapse of a section of cliffs in Dorset also claimed the life of Charlotte Blackman from Derbyshire when she was on holiday a year ago.
It is hoped new technology will allow the British Geological Survey team to link geology and weather to produce a daily landslide forecast and prevent similar accidents.

Friday 18 October 2013

Chimpanzees Are Fascinated By Robots Too


Scientists from the University of Portsmouth and Yerkes Primate Nature Center allowed 16 chimpanzees to see them interacting with a robot -- one that looked like a human doll but could make sounds and gestures like a human or a chimpanzee -- before giving the robot to them. Almost all of them communicated actively with the robot in some way, with some giving it toys and others banging on the side of the cage to get its attention. Team member and University of Portsmouth lecturer Marina Davila-Ross says the chimps "recognised and showed increased interest when the robot imitated their body movements...[but] were less interested when the robot imitated the bodily movements of a human." One chimp even laughed at the robot, which showed evidence of full social interaction.

Davila-Ross says, "[Humans] know that a robot cannot feel or even fully respond to us, but the temptation to try is irresistible. We even respond positively when they smile." The same seems to be true for chimps, which opens up the possibility for future observations of more complex social behaviors involving an interactive "someone." A paper describing the experiment was published in Animal Cognition.

One Possible Use For Mothballed ICBMs: Disaster Relief


At last month's American Institute of Aeronautics and Astronautics' Space 2013 conference, University of Tokyo doctoral student Huai-Chien Chang presented an interesting suggestion for providing quick disaster relief to people in isolated areas: Take an existing intercontinental ballistic missile (ICBM), outfit it with thousands of pounds of supplies, convert it so that it lands softly upon arrival, and send it their way. Chang estimates that such a missile could deliver its contents in about an hour, saving time, equipment, and manpower.



Wednesday 16 October 2013

Rise of the drone hobbyists

DIY drones: Enthusiasts making their own aircraft

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People around the world are building their own drones. They offer a glimpse of what life will be like when the skies are filled with small, flying robots - and drones become as common as smartphones.
Raphael Pirker was sitting on a bench at Washington Square Park on a blustery Friday in New York. A small drone called Discovery, a remotely controlled aircraft made by his company, TBS Avionics, was on the bench next to him.
Nearby another drone was flying near a fountain. Even before he saw the drone, he heard it. "It's just like this, 'bzz-bzz'," he said.
An onlooker watched the aircraft - "a beginner drone", Pirker said, crash into the pavement.
Down the block hundreds of people had gathered at New York University for a Drones and Aerial Robotics Conference. Like Pirker, many of them were carrying their own drones.
Roboticst Heather Knight and one of her creationsRoboticist Heather Knight and a robot on display at the New York conference
On a global scale the US and Israel are the world's biggest manufacturers of drones. Yet some European officials want to change the dynamic.
Michel Barnier, a European Union commissioner, told a group of French journalists in July that Europeans should make their own drones, rather than rely exclusively on US- and Israeli-made ones.
Pirker is also planning for the future. In Europe drones are used to make movies (see Smurfs 2). In the UK officials have granted permission to more than 130 companies and government agencies to fly drones, according to an Aerospace America report.
In the US the Federal Aviation Administration has approved the use of drones for police and government agencies, issuing about 1,400 permits over the past several years.
The civilian air space will reportedly be open to all kinds of drones in Europe by 2016 - and in the US by 2015. Many of these machines will be small - like the ones Pirker makes.
And cheap. You can make a drone, explained South-African-born Mike Winn, of Drone Deploy, for $500 (£310).
Men holding drones in the airDrones, shown above, are used to prevent theft of phone equipment in Germany
Pirker, 29, is a Swiss-Austrian who lives in Hong Kong - "for business reasons". He wears rimless glasses, the kind once worn by Apple guru Steve Jobs, and he has light blue eyes. Pirker and the others at the conference belong to a new breed of drone maker. Many are global travellers, and most grew up on drones.
At the conference 14-year-old Riley Morgan approached Pirker, carrying a drone he had made. Another enthusiast, Russell de la Torre, who is 31, made his first robot, "a remote-controlled truck with cardboard boxes", at age 12.
Pirker started building model airplanes when he was six. "I got bored because they were just flying circles around," he said, spinning his hand in the air in a lazy manner. As an adult he said: "I had this crazy idea of flying [a drone] over the Statue of Liberty.
"Everybody said, 'Don't do that - you're doing to get shot.'"

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It's not the plane that turns in the air - it's the world that turns”
Raphael Pirker
"It was a strange feeling," he said, describing the day three years ago when the drone flew, as shown in this head-spinning footage. "It felt a little bit eerie because you're flying past so much history, you know, about America."
Drones give one a different perspective. "It's not the plane that turns in the air - it's the world that turns," he said.
Drones do more than provide material for trippy videos, though. They help farmers check on crops and allow journalists to report stories. But even small drones - like the kind Pirker makes - cause problems.
"Every country has different rules, but we follow our own," Pirker said. "We're not going to hurt anybody. We do it with a little bit of play." Not everyone sees his drones as whimsical.
Federal Aviation Administration officials tried to fine Pirker $10,000 for operating a drone in Charlottesville, Virginia, in October 2011. His lawyer filed a motion three weeks ago, describing the aircraft, a "five-pound radio-controlled model airplane constructed of styrofoam", as harmless.
People looking at a drone controlled by an iPhone, shown in Nevada in 2010 A drone controlled by an iPhone, shown in Nevada in 2010
Small drones are usually benign. Yet they can be lethal. Roman Pirozek, 19, died last month in Brooklyn, NY, when his remote-controlled helicopter spun out of control - and hit him in the head.
Small drones also provide new ways to spy. A Seattle woman felt uneasy about a drone outside her window, as she reported earlier this year on a blog.
Amie Stepanovich, director of a project on domestic surveillance at the Electronic Privacy Information Center, thinks drones are cool - and said Pirker's video was "gorgeous".
But drones also worry her. "They are helping to usher in a new age of physical surveillance," she said. "They provide a platform for some of the most invasive surveillance technologies we've ever seen."
Pirker has a different perspective. Rather than causing anxiety, drones have helped him get over his fear of heights - a handicap, since he lives in a high-rise in Tseung Kwan O, outside of Hong Kong, on the 40th floor.
As he sat on the park bench in New York, he stuck out his leg and jiggled it, showing what used to happen when he looked down from a window in a tall building.
Now he said: "I just step back."

Wednesday 9 October 2013

This scary-useful site plots illness-related social media posts on a map



A Web site could be said to be a kind of Weather Channel for hypochondriacs: Sickweather's algorithms pull posts from Facebook and Twitter that mention sickness (such as, "I think I'm coming down with the flu") and use their location data to create a visual "under the weather forecast" to help users avoid illness.



Children talk about their favourite books


To celebrate Children's Book Week, the charity Booktrust has compiled a list of 100 books that they say every child should read by the age of 14.

Tuesday 8 October 2013

Psychedelic science


Swiss artist and photographer Fabian Oefner is on a mission to make eye-catching art from everyday science. In this charming talk, he shows off some recent psychedelic images, including photographs of crystals as they interact with soundwaves. And, in a live demo, he shows what really happens when you mix paint with magnetic liquid--or when you set fire to whiskey.


Monday 7 October 2013

The Swarmbots Have Arrived

MIT scientist John Romanishin has done what some said couldn't be done: He has created a mini-cube robot that has no external moving parts yet can move, climb, leap, and -- most importantly -- work together with its fellows to create larger shapes.

 MIT robotics professor Daniela Rus says that unlike fixed-architecture robots -- which are usually meant to perform a single task -- the cubes can be assembled and reassembled into different shapes that can perform a variety of tasks. Currently they receive commands from a computer via a radio, but eventually the team plans to build algorithms into the cubes themselves so that, according to post-doc Kyle Gilpin, a swarm of cubes can figure out on their own the best way to complete a task given to them. This could allow such swarms to temporarily repair large structures during an emergency, or enter dangerous environments to identify problems and help provide solutions.